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Up
Rock · 1998 · 14 tracks

Up

R.E.M.'s pivotal post-Bill Berry album, 'Up' delves into electronic soundscapes and introspective themes, marking a significant stylistic shift with drum machines, prominent keyboards, and Michael Sti

October 26, 1998 · WEA Japan

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'Up' is the sound of R.E.M. shedding their skin, embracing a more electronic, atmospheric, and introspective sound in the wake of drummer Bill Berry's departure. It's an album for quiet contemplation, filled with muted pop-baroque arrangements, prominent synthesizers, and the steady pulse of drum machines. Michael Stipe's vocals are often breathy and vulnerable, exploring themes of spirituality, technology, and end-of-the-century malaise with a poetic, almost unconscious style. This is R.E.M. at their most experimental and emotionally raw, a challenging yet rewarding listen for those seeking depth and a departure from their jangle-pop past.

Tracklist · 14 Tracks
01
Airportman
4:14
02
Lotus
4:32
03
Suspicion
5:37
04
Hope
5:02
05
At My Most Beautiful
3:35
06
The Apologist
4:30
07
Sad Professor
4:04
08
You’re in the Air
5:24
09
Walk Unafraid
4:34
10
Why Not Smile
4:03
11
Daysleeper
3:40
12
Diminished / I’m Not Over You
6:01
13
Parakeet
4:12
14
Falls to Climb
5:06
Moments Worth Listening For
The stark, Brian Eno-esque opening of 'Airportman', with Stipe's Thom Yorke-like vocals, immediately signaling a new direction for the band.
The rare appearance of live drumming on 'Lotus', providing a grounding rock energy amidst the album's electronic textures.
Michael Stipe's vulnerable and passionate crooning on 'At My Most Beautiful', a track noted for its 'muted pop-baroque' arrangement.
The unexpected blend of electronic and folk elements in 'Hope', described by critics as akin to 'Kraftwerk covering Leonard Cohen's 'Suzanne''.
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How does Up sound next to the rest of R.E.M.'s catalogue?

Digital Clarity+4.0σ

The production is built around digital clarity than this artist usually allows.

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