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Up!
Pop · 2002 · 33 tracks · 2h 26m

Up!

Shania Twain

A triple-disc feat of production engineering. High-gloss country, neon-lit pop, and global rhythms collide in a relentless display of hooks and confidence.

November 18, 2002 · Sony Music (2)

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An indestructible sense of confidence and high-gloss joy that feels engineered for stadium-sized celebration.

Tracklist · 33 Tracks · 2h 26m
01
Up!
3:14
02
I’m Gonna Getcha Good!
4:34
03
She’s Not Just a Pretty Face
3:49
03
She’s Not Just a Pretty Face
3:40
04
Juanita
3:51
04
Juanita
3:50
05
Forever and for Always
4:44
05
Forever and for Always
4:52
06
Ain’t No Particular Way
4:25
06
Ain’t No Particular Way
4:27
07
It Only Hurts When I’m Breathing
3:32
07
It Only Hurts When I’m Breathing
3:19
08
Nah!
4:09
08
Nah!
4:05
09
(Wanna Get to Know You) That Good!
4:28
09
(Wanna Get to Know You) That Good!
4:34
11
I’m Jealous
4:10
11
I’m Jealous
4:05
12
Ka-Ching!
3:33
13
Thank You Baby! (for Makin’ Someday Come So Soon)
4:01
13
Thank You Baby! (for Makin’ Someday Come So Soon)
4:01
14
Waiter! Bring Me Water!
3:20
14
Waiter! Bring Me Water!
3:37
15
What a Way to Wanna Be!
3:36
15
What a Way to Wanna Be!
3:33
16
I Ain’t Goin’ Down
3:58
16
I Ain’t Goin’ Down
3:43
17
I’m Not in the Mood (to Say No)!
3:26
17
I’m Not in the Mood (to Say No)!
3:23
18
In My Car (I’ll Be the Driver)
3:11
18
In My Car (I’ll Be the Driver)
3:17
19
When You Kiss Me
3:56
19
When You Kiss Me
4:08
Moments Worth Listening For
The rhythmic, mechanical ka-ching sound effect that anchors the beat of the anti-consumerist anthem.
The explosion of multi-tracked vocal harmonies in the chorus of I'm Gonna Getcha Good! that sounds like a rock choir.
The intricate Indian percussion and string arrangements on the Blue disc version of Juanita.
Reviews
AllMusic
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Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does Up! sound next to the rest of Shania Twain's catalogue?

Maximalist+1.7σ

The production is pushed notably harder into maximalist than this artist usually allows.

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