
A quiet, drift-focused masterpiece of glacial ambient-rock, trading the band's signature massive crescendos for delicate piano loops and choral fog.
May 23, 2012 · Parlophone
Choral fog and slow, repeating piano loops drift over quiet electronic pulses. Listening feels like watching ice melt in slow motion, trading their usual explosive peaks for a warm, heavy stillness.
“Probably the band’s quietest since 1999’s groundbreaking Ágætis Byrjun, and consequently their most perplexing. Yet, in some ways, this is one of their most beautiful releases in a career that has never been short of elegance”Read review
“Valtari might not be a huge digression for the band but that doesn’t matter: this is quietly, entrancingly and thoroughly sublime”Read review
“Their tone and style as a band is so robust now that short of quizzing them about their processes we’d doubt anyone would clock that this is an album of mastering and mixing wizardry”Read review
“Glides along with the grace we’ve come to associate from the Scandinavian quartet— without ever plunging to new and exciting depths”Read review
“Sigur Rós have proven they can make indelible music that’s pretty and unpredictable, pretty and melodic, pretty and unnerving, pretty and inspiring. Valtari wants to be pretty and that’s it”Read review
“A masterpiece it isn’t, but Valtari is undeniably significant, as this could be the very moment where Sigur Rós have hit the ceiling of their own beauty”
“A refined display of their musical power with breathtaking dynamics and enough emotion to flood an ocean”Read review
“Indistinct ambiences are gradually inhabited by swells of organ, piano, strings and voices, rising with awed mystery towards hints of an epiphany that never quite comes”Read review
“A nearly percussion-free batch of ambient soundscapes that may frustrate fans of its more direct predecessor, but ranks among the group’s most elegant records”Read review
“With Sigur Rós firmly re-entrenched in their unique ambient-rock niche, Valtari proves that Inni was more of an unfortunate blip than the sign of impending stagnation”Read review
“It’s like sacred music of a religion sans dogma or proscriptions”Read review
“Their most unambitious work to date. Valtari is by no means a bad record; it’s extremely easy to enjoy. It’s even beautiful at times. Unfortunately, it’s even easier to forget”Read review
How does Valtari sound next to the rest of Sigur Rós's catalogue?
The record sinks into an exceptionally contemplative state, wrapping its slow-motion tape loops in a heavy, wintery solitude that invites quiet introspection rather than triumphant release.
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