HomeSolangeWhen I Get Home
When I Get Home
R&B / Soul · 2019 · 19 tracks · 38m

When I Get Home

Nineteen tracks of cosmic jazz, chopped-and-screwed trap, and warm analog R&B. A hypnotic, loop-driven love letter to Houston that feels like a beautiful daydream.

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Impressionistic tribute

Low, humid synthesizer hums and repetitive, circular drum loops replace the grand, horn-drenched political anthems of her past. This record trades sweeping statements for the hazy, chopped-and-screwed atmosphere of a Houston summer night, turning memories of her hometown into a series of hypnotic, open-ended jams. You feel like you are drifting through a warm, late-night drive, listening to fragments of jazz piano and deep bass lines bleed through an open car window. It is a quiet, radical shift from structured protest to pure, intuitive feeling, capturing the comfort of returning to the streets that raised you.

When I Get Home · vs · Solange
Surreal Abstract+4.0σ

The writing leans far further into surreal abstract than the rest of the catalogue.

Tracklist · 19 Tracks · 38m
01
Things I Imagined
1:59
02
S McGregor (interlude)
0:16
03
Down With the Clique
3:42
04
Way to the Show
2:55
05
Can I Hold the Mic (interlude)
0:21
06
Stay Flo
2:55
07
Dreams
2:28
08
Nothing Without Intention (interlude)
0:23
09
Almeda
3:56
10
Time (Is)
3:39
11
My Skin My Logo
2:55
12
We Deal With the Freak’n (intermission)
0:31
13
Jerrod
3:02
14
Binz
1:51
15
Beltway
1:41
16
Exit Scott (interlude)
1:01
17
Sound of Rain
3:05
18
Not Screwed! (interlude)
0:22
19
I’m a Witness
1:51
Moments Worth Waiting For
09AlmedaThe track 'Almeda' contrasts a heavy, trunk-rattling bassline with a repetitive, rhythmic vocal chant that celebrates Black culture and local Houston geography.
06Stay FloOn 'Stay Flo', the production pairs a warm, analog keyboard groove with a sharp, syncopated drum machine pattern that drives the hypnotic loop.
02S McGregor (interlude)The brief, atmospheric interlude 'S McGregor (interlude)' uses field recordings and layered voices to anchor the abstract music in a physical neighborhood.
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Reviews
Critic Consensus

Critics broadly admired the album’s fluid, jazz-inflected production and its departure from traditional pop structures, praising the deeply personal and meditative warmth of its collaborative spirit. Although a few reviewers felt that the repetitive, wandering nature of the tracks made the music feel more atmospheric than direct, most embraced the record as a rich, genre-defying celebration of identity and artistic freedom.

NME5/ 5 stars
“A celebration of women, black culture and – above all – music”
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Clash
“A triumph, and is the kind of album you put on to reach your calming, safe place, when you get home at the end of a long day”
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Rolling Stone4/ 5 stars
“Like Solange herself, the music on Home is unrestrained and freeform. It’s jazzy, funky, brassy and warm”
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NOW Toronto
“Songs play out like mantras, her rawness manifesting as repetition”
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Pitchfork8.4/ 10
“Using everything from spiritual jazz to Gucci Mane, Solange conjures her hometown with exceptional songcraft and production”
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musicOMH
“In a year where R&B and hip hop have proved the most innovative and original genres Solange has delivered a brilliantly crafted record that places her right at the top”
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The Independent4/ 5 stars
“Where 2016’s A Seat At The Table commanded respect, action and validation to an extent, When I Get Home offers respite, support and hope”
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PopMatters
“Plays like a dream, but its logic is sound”
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The Guardian3/ 5 stars
“An album that feels like it’s hovering rather than actually heading anywhere, diverting rather than impactful”
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Drowned in Sound
“In essence, When I Get Home is a deeply personal album which ditches the standards of the pop industry in many ways”
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AllMusic4/ 5 stars
“Compared to A Seat at the Table, the balance of which processed anguish and anger, this is lighter and freer, above all else a luxuriant bliss-out”
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Exclaim!
“Driven by feelings, mindfulness and a newfound sense of purpose, the avant-garde album takes on an intensified jazz approach filled with sonic repetition, chord progression and freeform collaboration”
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