HomeElliott SmithXO
XO
Singer-Songwriter · 1998 · 14 tracks · 44m

XO

A lush, studio-expanded evolution of Smith's intimate folk. Baroque arrangements and double-tracked vocals create a beautiful, weary masterpiece of urban isolation.

Find on Amazon

Major label expansion

A brass quartet and a rented chamber organ sweep away the hushed, bedroom-four-track hiss of the Portland years. This major-label debut trades the starkness of a solitary acoustic guitar for rich, Abbey Road-style baroque arrangements, transforming private grief into widescreen technicolor. The transition from lo-fi icon to master pop craftsman feels both triumphant and deeply bruising. You are no longer eavesdropping on a secret in a dark room; instead, you are swept up in a lush, double-tracked orchestra of urban isolation, where the melodies soar even as the lyrics plunge into the shadows of the city.

XO · vs · Elliott Smith
Studio Polished+2.3σ

A pristine studio polished sheen sweeps away the bedroom dust of earlier recordings, wrapping his delicate songwriting in lush, multi-layered instrumentation and rich analog warmth.

Tracklist · 14 Tracks · 44m
01
Sweet Adeline
3:16
02
Tomorrow Tomorrow
3:07
03
Waltz #2 (XO)
4:39
04
Baby Britain
3:14
05
Pitseleh
3:23
06
Independence Day
3:05
07
Bled White
3:22
08
Waltz #1
3:23
09
Amity
2:20
10
Oh Well, Okay
2:33
11
Bottle Up and Explode!
2:58
12
A Question Mark
2:41
13
Everybody Cares, Everybody Understands
4:25
14
I Didn’t Understand
2:17
Moments Worth Waiting For
01Sweet AdelineThe sudden transition from a quiet acoustic guitar intro to a crashing, full-band arrangement on 'Sweet Adeline' signals the new sonic scale.
02Tomorrow TomorrowAn intricate, dizzying acoustic pattern on 'Tomorrow Tomorrow' showcases complex fingerstyle technique without any percussion to anchor the rhythm.
14I Didn’t UnderstandThe album closes with 'I Didn’t Understand', a stark, entirely a cappella performance built from layered, self-harmonized vocal tracks.
Sits BesideSee all
Either/Or
Either/Or
Elliott Smith
1997

Shares autumn_walk, indie folk, chamber pop, whispered (atmosphere)

Waxing Gibbous
Waxing Gibbous
Malcolm Middleton
2009

Shares bittersweet, indie folk, chamber pop, indie rock (signature)

Armchair Apocrypha
Armchair Apocrypha
Andrew Bird
2007

Shares baroque pop, autumn_walk, indie folk, chamber pop (subgenre)

All the Rage
All the Rage
Cary Brothers
2004

Shares autumn_walk, indie folk, chamber pop, whispered (atmosphere)

Storyboards
Storyboards
Sleeping at Last
2009

Shares baroque pop, autumn_walk, indie folk, chamber pop (subgenre)

florasongs
florasongs
The Decemberists
2015

Shares baroque pop, autumn_walk, indie folk, chamber pop (subgenre)

Those the Brokes
Those the Brokes
The Magic Numbers
2006

Shares bittersweet, baroque pop, autumn_walk, chamber pop (signature)

Once Upon Another Time
Once Upon Another Time
Sara Bareilles
2012

Shares baroque pop, autumn_walk, indie folk, chamber pop (subgenre)

Unfamiliar Faces
Unfamiliar Faces
Matt Costa
2007

Shares baroque pop, autumn_walk, indie folk, chamber pop (subgenre)

Daisies of the Galaxy
Daisies of the Galaxy
EELS
1999

Shares bittersweet, baroque pop, autumn_walk, chamber pop (signature)

Reviews
Critic Consensus

Critics widely praised the album's rich, sophisticated instrumentation and gorgeous melodies, which successfully translated his delicate acoustic songwriting into a broader, more layered studio sound. While some reviewers occasionally felt the polished production lacked a bit of the raw, intimate vulnerability of his earlier self-recorded work, most warmly embraced the record's striking emotional depth and nuanced arrangements.

Spin8/ 10
Read review
Pitchfork8.1/ 10
Read review
NME7/ 10
Read review
Los Angeles Times4/ 4 stars
Read review
Houston Chronicle4/ 5 stars
Read review
BBC Music
Read review
Entertainment WeeklyB
Read review
The Baltimore Sun3.5/ 4 stars
Read review
Rolling Stone3/ 5 stars
Read review
AllMusic4.5/ 5 stars
Read review

Cassette uses generative AI to enrich its catalog. How we use AI →