Sun-drenched neo-soul with elastic basslines and pillowy vocal harmonies. It is the sound of a slow Sunday morning where everything feels exactly as it should.
Aaron Taylor is a London-based singer, songwriter, and producer who has carved out a distinct niche within the UK's vibrant neo-soul scene. Emerging in the mid-2010s with his 'Better Days' EP, Taylor quickly established a sound characterized by its 'sunny' disposition, a stark contrast to the moodier, darker textures often associated with the London soul underground.
His music is defined by a sophisticated understanding of arrangement, frequently utilizing multi-tracked vocal harmonies and syncopated, funk-driven bass guitar as primary melodic drivers. His career arc shows a steady refinement of this 'feel-good' aesthetic, culminating in the critically acclaimed 'ICARUS' (2020), which expanded his sonic palette to include more ambitious orchestral flourishes and deeper lyrical themes of self-actualization. Critically, he is often praised for his 'analog' sensibility in a digital age, maintaining a human, hand-played feel across his discography. He occupies a cultural space as a 'musician's musician,' respected for his production chops while maintaining significant streaming appeal through his inclusion in 'chill' and 'soul' lifestyle playlists. His influence web connects back to D'Angelo and Musiq Soulchild, while placing him alongside contemporaries like Jordan Rakei and Tom Misch.
Shares neo-soul, funk, falsetto, sunday_morning (subgenre)
Shares bass, neo-soul, funk, sunday_morning (signature)
Shares bass, neo-soul, hand_played, funk (signature)
Shares vocal_layering, bass, neo-soul, funk (signature)
Shares bass, neo-soul, hand_played, funk (signature)
Shares neo-soul, falsetto, sunday_morning, serene (subgenre)
Shares bass, neo-soul, hand_played, funk (signature)
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