Cinematic, high-energy trance that pairs 138 BPM rhythms with lush symphonic breakdowns. It feels like a film score written for a sunrise over the Alps.
Andy Blueman creates a sound that is often described as 'Orchestral Uplifting Trance.' It is music designed to trigger a physical response of awe, characterized by soaring lead synths that sit atop a driving, relentless 138 BPM foundation. The energy is high, but the soul of the music lies in its expansive, cinematic scope that feels much larger than a standard club track.
What sets him apart is the sophistication of his breakdowns. While many trance producers use simple pads, Blueman incorporates genuine classical composition techniques, utilizing string ensembles, piano solos, and even eastern percussion to create a sense of narrative drama. These moments of stillness feel like a film score before they explode back into a shimmering, euphoric wall of sound.
For those new to his work, the 'Sea Tides E.P.' is the definitive starting point. It captures the peak of his influence on the genre, showcasing how he can balance the aggressive energy of a dancefloor anthem with the delicate emotional weight of a symphony. It is music for moments of transition, triumph, and deep reflection.
Andrej Komatovič (Slovene pronunciation: [anˈdɾɛːj kɔˈmaːtɔʋitʃ]; born 4 September 1982), widely known as Andy Blueman [ˈɛːndi ˈbluːmɛn], is a Slovenian trance producer. His release Time to Rest was included in Armin van Buuren's trance compilation A State Of Trance 2008, and Everlasting (Original Mix) was included in A State Of Trance Yearmix 2009. His work Florescence (Epic Mix) was also included in A State Of Trance Yearmix 2010. Five of his tracks were voted the track of the week (Future Favorite) on A State of Trance, and two of his other tracks won Trance Around the World's weekly web vote. Eleven of his tracks were voted among the greatest 1000 tracks in the history of trance music out of over 10,000 nominees in the first-ever (2010) Trance Top 1000 poll organized by Armada Music, even though he had only ever worked on 13 trance songs released by the time of the competition.
Shares maximalist, orchestral arrangement, reverb heavy (production style); triumphant, euphoric, hopeful (moods)
Shares euphoric, triumphant, hopeful (moods); maximalist, orchestral arrangement, reverb heavy (production style)
Shares progressive trance (subgenres); euphoric, triumphant, hopeful (moods)
Shares euphoric, triumphant, hopeful (moods); sunrise, mountain, stargazing (atmosphere)
Shares maximalist, orchestral arrangement, reverb heavy (production style); euphoric, triumphant, hopeful (moods)
Shares progressive trance (subgenres); ethereal, instrumental only (vocal style)
Shares euphoric, triumphant, hopeful (moods); progressive trance (subgenres)
Shares progressive trance (subgenres); ethereal, instrumental only (vocal style)
Shares maximalist, orchestral arrangement, reverb heavy (production style); sunrise, mountain, stargazing (atmosphere)
Shares progressive trance (subgenres); euphoric, triumphant, hopeful (moods)
Shares uplifting trance, crescendo heavy, orchestral arrangement, progressive trance (signature)
Shares uplifting trance, orchestral arrangement, progressive trance, sunrise (signature)
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