Gritty, off-kilter Detroit techno that prioritizes raw soul and jagged rhythms over club polish. Perfect for late nights in industrial spaces.
Anthony 'Shake' Shakir makes techno that feels lived-in, slightly frayed at the edges, and deeply human. While his Detroit peers often reached for the stars or the future, Shakir's music feels rooted in the concrete and the basement. It is characterized by a unique 'swing' - a rhythmic looseness that feels more like a jazz drummer than a programmed machine. The sounds are often dusty, sourced from samplers and analog gear that has seen better days, giving the music a tactile, physical presence.
What truly sets him apart is his refusal to follow the standard four-to-the-floor template. His tracks often feature jagged, unexpected melodic stabs and rhythmic hiccups that demand your full attention. It is soulful music, but it's a skeletal, stripped-back kind of soul that doesn't need lush orchestration to make its point. There is a sense of restless curiosity in every loop, as if he is constantly testing the limits of what a simple groove can sustain.
For those new to his catalog, 'Frictionalism 1994–2009' is the essential starting point. It serves as a comprehensive map of his idiosyncratic style, collecting his most influential work across several decades. It reveals an artist who was always ahead of the curve by staying true to his own peculiar, funky, and occasionally difficult vision of what electronic music could be.
Anthony "Shake" Shakir, who also uses the aliases Sequence 10 and Da Sampla, is an American techno producer, best known for his contributions to Detroit techno. Shakir began producing in 1981, and worked with Detroit musicians such as Derrick May and Carl Craig for many of their early Metroplex releases. Shakir appeared under the name Sequence 10 on the Virgin Records compilation Techno: The New Dance Sound of Detroit. While many of his peers on the Detroit scene have worked to increase their profile in Europe, Shakir never gravitated toward this scene, working more closely with the second wave of Detroit techno musicians such as Mike Banks and Claude Young. He formed the labels Frictional in 1995 and Puzzlebox in 1996, the latter with Keith Tucker. Among Shakir's credits are remixes for Telex and Inner City, as well as co-production of the Urban Tribe's 1998 album for Mo Wax, The Collapse of Modern Culture.
Shares techno, minimal techno, downtempo (subgenres); restless, mysterious, contemplative (moods)
Shares techno, minimal techno, downtempo (subgenres); absent, processed, spoken word (vocal style)
Shares techno, minimal techno (subgenres); restless, mysterious, contemplative (moods)
Shares techno, minimal techno, downtempo (subgenres); restless, mysterious, contemplative (moods)
Shares techno, minimal techno (subgenres); absent, processed, spoken word (vocal style)
Shares techno, minimal techno (subgenres); sample based, analog warmth, minimalist (production style)
Shares techno, minimal techno (subgenres); absent, processed, spoken word (vocal style)
Shares techno, minimal techno (subgenres); absent, processed, spoken word (vocal style)
Shares techno (subgenres); restless, mysterious, contemplative (moods)
Shares techno, restless, minimal techno, downtempo (signature)
Shares minimal techno, techno, spoken word, downtempo (subgenre)
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