Hyper-precise, instrumental metal that functions like a mathematical proof. Surgical guitar work and frantic rhythms for deep focus or high-intensity mental tasks.
This is music for the analytical mind. Blotted Science strips away the emotional theatricality of traditional metal and replaces it with the cold, fascinating precision of a laboratory. It sounds like a clockwork machine being pushed to its absolute mechanical limits, where every gear and lever is visible and moving at terrifying speeds. There are no vocals to guide you, only the interlocking patterns of three virtuosos playing at the edge of human capability.
What makes them distinctive is their rigid adherence to complex systems, such as the twelve-tone technique usually found in classical serialism. This creates a sound that is harmonically alien and rhythmically jagged, yet strangely catchy once your brain adapts to the patterns. The bass playing is particularly noteworthy, providing a thick, percussive foundation that is just as busy and technical as the lead guitar.
Start with 'The Machinations of Dementia' for the full realization of their sound. It is an exhausting but exhilarating listen that rewards repeated plays, as you slowly begin to recognize the hidden logic behind what initially sounds like chaotic, high-speed noise.
Blotted Science is an instrumental progressive metal supergroup headed by Ron Jarzombek (Watchtower, Spastic Ink), bassist Alex Webster (Cannibal Corpse) and drummer Hannes Grossmann (ex-Obscura, ex-Necrophagist). They formed under the name Machinations of Dementia, but later changed their name to Blotted Science (Machinations of Dementia would be the title of their first publicly purchasable album).
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