
Slick, cinematic trip-hop and gritty funk that feels like a heist movie set in a rainy city. Cool, propulsive, and deeply atmospheric.
Northern Irish musician David Holmes built his career as a DJ before crafting solo albums that blend electronic, rock, and trip hop influences. Renowned for his long-term partnership with director Steven Soderbergh, he has scored films like the Ocean's trilogy and Out of Sight. Holmes also produces for artists such as Primal Scream and currently performs with the band Unloved, contributing music to the television series Killing Eve.
Shares trip-hop, downtempo, big beat (subgenres); mysterious, tense, brooding (moods)
Shares trip-hop, downtempo, big beat (subgenres); sample based, analog warmth, layered dense (production style)
Shares big beat, trip-hop, downtempo (subgenres); urban night, late night, dive bar (atmosphere)
Shares trip-hop, downtempo, art rock (subgenres); urban night, late night, dive bar (atmosphere)
Shares trip-hop, downtempo (subgenres); spoken word, deadpan, processed (vocal style)

Shares trip-hop, downtempo, big beat (subgenres); sample based, analog warmth, layered dense (production style)
Shares trip-hop, downtempo, big beat (subgenres); sample based, analog warmth, layered dense (production style)
Shares trip-hop, downtempo, big beat (subgenres); mysterious, nostalgic, brooding (moods)
Shares trip-hop, downtempo (subgenres); sample based, analog warmth, layered dense (production style)
Shares trip-hop, downtempo, big beat (subgenres); sample based, analog warmth, layered dense (production style)
Shares big beat, trip-hop, tense, art rock (subgenre)
Shares big beat, trip-hop, tense, spoken word (subgenre)
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