Bouncy, high-definition bass music that prioritizes fun over aggression. Rubbery synths and wonky rhythms built for massive festival sound systems.
Dirt Monkey, the alias of Boulder-based producer Patrick Megeath, is a foundational figure in the American 'wonky' dubstep subgenre. With a career spanning over a decade, Megeath transitioned from instrumental hip-hop and breaks into bass music, bringing a unique rhythmic sensibility to the dubstep template.
His sound identity is defined by 'rubbery' bass synthesis, intricate melodic counterpoints, and a high-fidelity approach to sound design that emphasizes clarity even at extreme volumes. He is a central node in the Colorado bass scene, frequently collaborating with artists like Ganja White Night and Subtronics. Critically, he is respected for maintaining a playful, almost psychedelic aesthetic in a genre often dominated by aggressive 'brostep' tropes. His discography shows a steady evolution from early filth-oriented dubstep to a more nuanced, multi-genre approach that incorporates elements of trap, house, and glitch. He remains a staple on major festival circuits, known for high-energy sets that prioritize rhythmic diversity over static aggression.
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Shares glitch, trap (subgenres); processed, rap, absent (vocal style)
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