Equinoxious

Equinoxious sounds like the interior of a 1970s laboratory where the machines have developed a sense of melancholy. It is a world of pure voltage, where every note is shaped by the physical turn of a knob and the warmth of a vacuum tube. The music is sparse and skeletal, yet it possesses a tactile, organic quality that modern digital production often lacks. It feels both ancient and futuristic, like a message sent from the past about a tomorrow that never quite arrived.

What makes Rogelio Serrano Guzmán's project distinctive is his unwavering commitment to analog hardware. Unlike many contemporary synth-pop acts that rely on software emulations, Equinoxious uses the limitations of monophonic synthesizers and vintage drum machines as a creative engine. The vocals are often delivered in a detached, robotic monotone, sung in Spanish, which adds a layer of exotic, cold-wave mystery to the rhythmic precision of the tracks.

Start with the album 'Cosmódromo' to experience the project at its most evocative. It perfectly captures the 'space-race' aesthetic that defines the project, blending danceable minimal-synth hooks with an underlying sense of cosmic dread. It is the ideal soundtrack for anyone who finds beauty in the hum of machinery and the silence of the stars.