Electronic · GB · Active since 1972

Fake Blood

High-voltage electro house with a mischievous streak. Jittery, distorted, and built for strobe-lit basements where the bass never stops moving.

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Intro

Fake Blood sounds like a high-speed chase through a digital funhouse. It is music defined by its 'fidget' quality: restless, hyperactive, and constantly shifting. The sound is anchored by thick, distorted basslines that feel like they are vibrating the floorboards, paired with percussion that snaps and pops with aggressive precision. There is a certain grit to the production that separates it from cleaner pop-EDM, leaning instead into the raw energy of the UK club scene.

What makes Theo Keating's work under this alias distinctive is his background in big beat and hip-hop. Unlike many of his electro-house contemporaries, he uses sampling with the surgical skill of a crate-digger, chopping up vocal snippets and disco stabs into rhythmic weapons. The tracks often feature 'siren' synths and sudden, jarring transitions that keep the listener in a state of high-alert excitement. It is maximalist music that manages to stay lean and functional for the dancefloor.

To understand the Fake Blood aesthetic, start with the 'Fix Your Accent' EP. The track 'I Think I Like It' is the perfect entry point, showcasing his ability to turn a vintage-sounding sample into a modern club anthem. From there, move to 'Mars' for a masterclass in tension and release, and finally dive into the 'Cells' album to see how he translates that club energy into a more cohesive, long-form listening experience.

Theo Keating, also known as Fake Blood and Touché, is an English DJ, musician and music producer who made his name as one half of the Wiseguys, a British hip hop/big beat group, together with Paul Eve. Some of their best-known songs are "Start the Commotion" and "Ooh La La" (not to be confused with the Goldfrapp song of the same name), which were used in commercials for Mitsubishi and Budweiser, respectively. Keating's current project is a duo called the Black Ghosts where he performs with Simon William Lord, formerly a founding member of rock band Simian. Keating is also a popular house and electro DJ and producer, under the name Fake Blood. He has released several successful productions and remixes as Fake Blood, including his 2009 release "I Think I Like It". In 2009, Fake Blood featured on an episode of BBC Radio 1's Essential Mix. In May 2012, Fake Blood announced plans on his Facebook page about a new 3-track EP. Later, in July 2012, he stated that the album Cells would be released in the autumn. It featured brand new tracks and its first single, "Yes/No" was released in August as an EP, followed up by the second single "All in the Blink" later in the year. The full-length album Cells was officially released in September 2012.
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Our Catalog4 Albums · 2012 · 2025
Known ForWeighted across the artist's discography. Tap a trait for examples.
Adjacent Artists
TO
The Outlaws

Shares big beat (subgenres); sample based, maximalist, compressed loud (production style)

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Monstar

Shares big beat (subgenres); compressed loud, digital clarity, maximalist (production style)

Beat Torrent
Beat Torrent

Shares big beat (subgenres); sample based, maximalist, compressed loud (production style)

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Oliver Twizt

Shares compressed loud, digital clarity, sample based (production style); energetic, playful, confident (moods)

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Don Rimini

Shares maximalist, compressed loud, sample based (production style); energetic, playful, intense (moods)

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Danny McCarthy

Shares big beat (subgenres); compressed loud, digital clarity, maximalist (production style)

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Lets Be Friends

Shares maximalist, digital clarity, compressed loud (production style); big beat (subgenres)

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SWACQ

Shares digital clarity, maximalist, compressed loud (production style); energetic, playful, intense (moods)

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Rico Tubbs

Shares sample based, compressed loud, digital clarity (production style); big beat (subgenres)

DJs From Mars
DJs From Mars

Shares big beat (subgenres); maximalist, sample based, compressed loud (production style)

DJs From Mars
DJs From Mars

Shares big beat, sample based, turntables, vocal layering (subgenre)

Beat Torrent
Beat Torrent

Shares big beat, sample based, turntables, absent (subgenre)

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