Garage a Trois

Garage A Trois is a premier experimental jazz-funk supergroup that emerged from the fertile New Orleans music scene in the late 1990s. Originally formed as a trio consisting of drummer Stanton Moore, saxophonist Skerik, and guitarist Charlie Hunter, the group has served as a rotating laboratory for some of the most innovative players in modern improv.

Their sound identity is defined by a 'punk-jazz' aesthetic: high-energy, polyrhythmic, and frequently utilizing electronic processing on traditional acoustic instruments. Stanton Moore's heavy, syncopated drumming provides a rock-solid foundation for Skerik's 'saxophonics,' which often involve heavy distortion and pitch-shifting. The addition of Mike Dillon brought a metallic, percussive edge via vibraphone and tabla, while the transition from Charlie Hunter to Marco Benevento shifted the harmonic focus toward psychedelic keys and circuit-bent synths. Critically, they are positioned as a bridge between the traditional jazz world and the jam band circuit, valued for their ability to maintain complex musicality while delivering visceral, danceable grooves. They remain a cornerstone of the modern fusion movement, influencing a generation of 'groove-heavy' experimentalists.