Ghostly, pastoral folk wrapped in hazy analog synths and 80s drum machines. A slow, meditative walk through a foggy English landscape.
Harp is the project of Tim Smith, the former frontman and primary songwriter of Midlake, alongside his wife Kathi Zung. After leaving Midlake in 2012 following the success of The Courage of Others, Smith spent over a decade in a meticulous, almost reclusive creative process before debuting Harp.
The sound identity is a departure from Midlake's more traditional 70s rock influences, leaning instead into a 'folk noir' aesthetic that incorporates 80s analog synths and drum machines (inspired by artists like The Cure and Cocteau Twins) into a pastoral folk framework. Critically, the project is viewed as a masterclass in atmospheric world-building, often drawing comparisons to the work of Simon Raymonde (who released the debut on Bella Union). The music occupies a unique space between the British folk tradition and the moody, textured indie of the Pacific Northwest. Smith's influence remains significant among fans of 'slowcore' and high-concept indie folk, with his return being hailed as a major event for those who value artisanal, highly-textured production and existential, nature-focused lyricism.
Shares baroque pop, chamber folk, indie folk, autumn_walk (subgenre)
Shares baroque pop, chamber folk, indie folk, autumn_walk (subgenre)
Shares baroque pop, chamber folk, winter, indie folk (subgenre)
Shares fog, flute, chamber folk, indie folk (signature)
Shares baroque pop, chamber folk, indie folk, autumn_walk (subgenre)
Shares baroque pop, chamber folk, indie folk, autumn_walk (subgenre)
Cassette uses generative AI to enrich its catalog. How we use AI →