Heaven 17
Electronic · GB · Active since 1980

Heaven 17

Slick, high-gloss synth-pop with a sharp political edge. Soulful vocals meet industrial funk for a sound that is both danceable and intellectually biting.

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Intro

Heaven 17 emerged from the 1980 split of The Human League, with Martyn Ware and Ian Craig Marsh seeking a more experimental, funk-oriented direction than the pop-focused Phil Oakey. F.)

, with Heaven 17 as their primary musical outlet. Their sound identity is defined by a sophisticated blend of Sheffield industrial electronics and American R&B, characterized by the use of the Linn LM-1 drum machine and prominent slap bass. Career-wise, they peaked early with a trilogy of albums that defined the high-fidelity sound of the early 80s, moving from the gritty, minimalist funk of 'Penthouse and Pavement' to the lush, Fairlight-driven arrangements of 'The Luxury Gap'. Culturally, they are positioned as the 'thinking person's' synth-pop band, noted for their overt leftist political commentary and satirical take on Thatcher-era consumerism. Critically, they are respected as pioneers of the 'Sheffield Sound' and for their early adoption of digital sampling and sequencing technologies. Their influence can be heard in the intersection of electronic music and blue-eyed soul, bridging the gap between Kraftwerk and Chic.

Our Catalog8 Albums · 1981 · 2017
The Sound · Center of GravityWeighted across the artist's discography. Tap a trait for examples.
Adjacent Artists
A
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M
M

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B
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RN
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MNDR
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RN
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