Marina Baranova

Marina Baranova creates music that feels like a conversation between centuries. While her foundation is built on the rigorous technicality of the Ukrainian piano school, her sound is remarkably fluid and unpretentious. It carries the weight of classical history but delivers it with the lightness of a modern improviser, often focusing on the delicate, shimmering textures of the piano's upper register. It is music that invites deep focus without demanding it, filling a room with a sense of quiet, intellectual curiosity.

What sets her apart is her 'Hypersuites' approach, where she takes the DNA of Baroque masters like Bach or Rameau and grafts it onto contemporary sensibilities. She isn't just playing the notes; she is exploring the spaces between them, sometimes incorporating subtle electronic textures or prepared piano techniques that make the instrument sound like a celestial clockwork. Her work often revolves around grand, imaginative themes, from imaginary maps to the history of the universe, giving each project a distinct narrative arc.

For those new to her work, 'Atlas of Imaginary Places' is the perfect entry point for its evocative, cinematic beauty. If you prefer something with a historical anchor, 'Hypersuites' offers a fascinating look at how old forms can be breathed into new life. It is ideal for listeners who find comfort in the structure of the past but live firmly in the aesthetic of the present.