
Heavy, bass-driven alternative rock with a gothic, cinematic edge. Ethereal vocals meet thick guitar walls for a sound that is both muscular and mysterious.
Melissa Auf der Maur creates music that feels like a high-budget noir film set in a haunted forest. It is rooted in the heavy, distorted foundations of 90s alternative rock, but it is elevated by a sophisticated, art-house sensibility. The sound is anchored by her prominent, melodic bass lines and a wall of guitars that shift between aggressive grunge riffs and shimmering, shoegaze-adjacent textures.
What truly sets her apart is the vocal delivery. Eschewing the typical grit of her rock peers, she employs a breathy, ethereal, and often multi-tracked vocal style that floats above the heavy instrumentation. This creates a striking contrast between the 'weight' of the music and the 'air' of the performance, resulting in a mood that is simultaneously empowering and ghostly.
Start with her self-titled debut for a masterclass in 2000s modern rock hooks, then move to 'Out of Our Minds' to hear her dive deeper into conceptual, atmospheric storytelling and experimental structures.
Melissa Gaboriau Auf der Maur (; born March 17, 1972) is a Canadian musician. Auf der Maur began performing in 1993 after forming the indie rock band Tinker while she was a student at Concordia University. She was recruited as the bassist for the American alternative rock band Hole in the summer of 1994 and is included on several Hole releases, including the album Celebrity Skin (1998). Following her departure from Hole in 1999, Auf der Maur briefly joined The Smashing Pumpkins as a touring member for their 2000 tour and began her solo career; her debut studio album Auf der Maur was released in 2004 on Capitol Records and Out of Our Minds, her second studio album, was released in 2010 on her own independent record label, PHI–MAdM Music. She has also collaborated with Indochine, Rufus Wainwright, Ric Ocasek, and Neverending White Lights. Auf der Maur is also a photographer and occasional actress. Her photographs have been included in National Geographic and exhibited at Sotheby's. She acted in How to Make the Cruelest Month (1998), Beyond Borders (2003), and Collaborator (2011). As part of her 2009 multidisciplinary project Out of Our Minds—which produced an album, a single, a film and a comic book—Auf der Maur acted as a film and record producer, working alongside her husband, filmmaker Tony Stone. Stone and Auf der Maur are the creative directors and owners of Basilica Hudson, an arts and performance center in Hudson, New York. VH1 placed Auf der Maur at number 68 on its list of 100 Greatest Women of Rock & Roll in 2007 and her solo albums have received favorable reviews.
Shares alternative rock, art rock, shoegaze (subgenres); layered dense, reverb heavy, studio polished (production style)
Shares layered dense, reverb heavy, studio polished (production style); mysterious, brooding, defiant (moods)
Shares layered dense, reverb heavy, studio polished (production style); alternative rock, art rock (subgenres)
Shares alternative rock, hard rock, art rock (subgenres); layered dense, analog warmth, studio polished (production style)
Shares alternative rock, hard rock, grunge (subgenres); layered dense, studio polished, analog warmth (production style)
Shares layered dense, reverb heavy, studio polished (production style); alternative rock, hard rock, grunge (subgenres)
Shares layered dense, reverb heavy, studio polished (production style); mysterious, brooding, defiant (moods)
Shares layered dense, reverb heavy, studio polished (production style); alternative rock, art rock, hard rock (subgenres)
Shares layered dense, reverb heavy, studio polished (production style); alternative rock, art rock, shoegaze (subgenres)
Shares layered dense, reverb heavy, studio polished (production style); alternative rock, art rock (subgenres)
Shares forest, grunge, thunderstorm, art rock (signature)
Shares grunge, shoegaze, art rock, alternative rock (subgenre)
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