High-octane 1970s funk with razor-sharp horns and heavy-bottomed bass. Raw, unpolished energy for block parties and late-night groove sessions.
Miami was a seminal funk and soul outfit primarily active during the mid-to-late 1970s, emerging as a key component of the TK Records family and the broader Florida soul scene. Their sound is defined by a heavy emphasis on the 'one,' utilizing syncopated bass lines and aggressive horn arrangements that bridged the gap between traditional James Brown-style funk and the emerging disco movement.
The group, often associated with producers like Willie Clarke, maintained a raw, live-sounding aesthetic even as their contemporaries moved toward smoother, more synthesized productions. Their cultural footprint was significantly expanded in the digital era through extensive sampling; their distinctive horn lines and drum breaks have been utilized by major pop and hip-hop artists, most notably Jennifer Lopez. Critically, they are viewed as a 'musician's band,' prized by collectors and crate-diggers for their technical precision and the sheer kinetic energy of their 1974-1976 output. They occupy a similar space to groups like Southside Movement and Orange Krush, prioritizing rhythmic complexity and ensemble tightness over individual virtuosity.
Shares funk, saxophone, trumpet, disco (signature)
Shares funk, trumpet, organ, disco (signature)
Shares funk, trumpet, disco, soul (signature)
Shares staccato horn stabs, funk, trumpet, disco (detail)
Shares funk, saxophone, trumpet, organ (signature)
Shares funk, trumpet, organ, soul (signature)
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