Miss June

Miss June sounds like a live wire dropped in a puddle. It is music that feels immediate, physical, and slightly dangerous, characterized by Annabel Liddell's commanding vocals that shift from a melodic croon to a throat-shredding snarl in seconds. The guitars are thick with distortion, often dissolving into controlled feedback that adds a layer of beautiful grit to their otherwise tight, driving arrangements.

What sets them apart is their ability to marry the chaotic energy of the Auckland DIY scene with a sophisticated sense of songwriting. They don't just play loud; they play with a calculated tension, using sudden rhythmic shifts and dynamic bursts to keep the listener off-balance. It is feminist punk that feels both deeply personal and broadly defiant, capturing the specific restlessness of early adulthood.

Start with their 2019 debut album Bad Luck Party. It is the definitive document of their sound, featuring tracks like Twitch and Best Girl that showcase their knack for writing massive, distorted pop songs that never lose their sharp, punk-rock edge.