Delicate Swedish folk that evolves into dark, synth-laced art pop. Intimate vocals and skeletal piano for quiet moments of self-reflection.
New Found Land is the creative vehicle for Swedish musician Anna Roxenholt, who relocated to Berlin in 2007. Her career trajectory represents a fascinating evolution from traditional indie folk toward a more avant-garde art-pop sensibility.
Her debut, 'We All Die' (2009), established her as a formidable singer-songwriter with a penchant for melancholic, piano-driven arrangements. However, it was her subsequent work that saw her expanding her palette, incorporating chamber pop elements and, eventually, darker electronic textures. Her self-titled 2013 release marked a significant pivot, drawing comparisons to contemporaries like Lykke Li and Ane Brun for its use of synths and more aggressive production choices. Roxenholt operates with a high degree of independence, releasing much of her work on her own Fixe Records. Her music has gained international traction through sync placements in American television, which highlights the cinematic and atmospheric quality of her songwriting. Critically, she is noted for her 'vocal-as-instrument' approach and her ability to maintain a sense of Swedish isolation even while immersed in the Berlin electronic scene.
Shares subtle electronic glitches, indie folk, cello, breathy (detail)
Shares chamber pop, library, indie folk, autumn_walk (signature)
Shares solitude, library, indie folk, cello (signature)
Shares chamber pop, indie folk, autumn_walk, breathy (signature)
Shares indie folk, cello, breathy, art pop (subgenre)
Shares chamber pop, indie folk, cello, breathy (signature)
Shares chamber pop, solitude, library, cello (signature)
Shares chamber pop, solitude, indie folk, autumn_walk (signature)
Shares chamber pop, indie folk, breathy, art pop (signature)
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