Ninetynine

Ninetynine is a cornerstone of the Melbourne DIY indie scene, founded in 1996 by Laura MacFarlane following her tenure as the original drummer for Sleater-Kinney. Originally a solo vehicle, it evolved into a collaborative ensemble characterized by a democratic, instrument-swapping performance style.

Their sound identity is defined by a unique 'chromatic' aesthetic, prioritizing vibraphones and vintage Casiotone keyboards over traditional guitar-heroics. This choice places them in a lineage of art-pop that values texture and rhythmic ingenuity over raw power. Throughout the late 90s and 2000s, the band maintained a rigorous international touring schedule, often finding more resonance in Japan and Europe than in their native Australia. Their discography, particularly '767' and 'Anatomy of Distance', is celebrated for its 'math-pop' sensibilities, blending the complexity of post-rock with the accessibility of indie pop. Critical consensus highlights MacFarlane's rhythmic precision and the band's ability to make experimental music feel playful and unpretentious. They remain a significant influence on the 'Melbourne Sound', bridging the gap between 90s lo-fi and modern Australian art-rock.