One Little Plane

One Little Plane sounds like a whispered secret shared in a sun-drenched attic. Kathryn Bint's voice is remarkably intimate, often double-tracked or layered to create a soft, ethereal presence that feels both fragile and grounding. The music exists in a space where traditional folk instrumentation meets the meticulous, glitchy warmth of modern electronica, resulting in songs that feel like living, breathing organisms.

What truly distinguishes this project is the production hand of Kieran Hebden (Four Tet). He treats Bint's folk compositions with a rhythmic curiosity, tucking thumb pianos, vibraphones, and subtle samples into the corners of the mix. It is 'folktronica' in its truest sense, where the electronic elements do not overpower the acoustic soul but rather enhance its magical, slightly surreal atmosphere.

Start with the album 'Into the Trees' for a more polished, expansive journey into her sound, or 'Until' if you prefer the raw, bedroom-recorded charm of her earlier work. It is the perfect companion for moments of deep solitude or when you need the world to feel a little more gentle than it actually is.