High-octane jazz-funk with a street edge. Tight horn sections and legendary slap-bass grooves that defined the sophisticated side of the 70s dance floor.
Pleasure represents the pinnacle of late-70s West Coast funk, where the technical precision of jazz fusion met the undeniable grit of the street. Their sound is defined by a relentless, elastic low-end and a horn section that hits with surgical accuracy. It is music that feels both expensive and raw, capturing a moment in time when funk was evolving into something more electronic and polished without losing its soul.
What truly sets them apart is the 'Glide' factor: a specific, mid-tempo syncopation that allows for both deep listening and effortless movement. While many of their contemporaries leaned into disco's four-on-the-floor simplicity, Pleasure maintained a complex, interlocking rhythmic structure that kept the jazz-heads interested while the club-goers stayed on the floor. The interplay between Marlon McClain's scratchy guitar and Nathaniel Phillips' iconic bass lines creates a dense, vibrating energy.
Start with the 1979 classic 'Glide' to understand their rhythmic DNA, then dive into 'Joyous' for a masterclass in uptempo jazz-funk. If you want to hear their more soulful, atmospheric side, 'Ghettos of the Mind' showcases their ability to blend social consciousness with sophisticated arrangements.
Shares jazz fusion, trumpet, disco, funk (signature)
Shares jazz fusion, disco, funk, soul (signature)
Shares jazz fusion, trumpet, disco, funk (signature)
Shares jazz fusion, trumpet, funk, soul (signature)
Shares interlocking guitar scratches, trumpet, disco, funk (detail)
Shares jazz fusion, trumpet, disco, funk (signature)
Shares jazz fusion, disco, funk, soul (signature)
Shares jazz fusion, disco, funk, soul (signature)
Shares trumpet, jazz fusion, disco, funk (instrumentation)
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