
Acoustic guitar played with the force of a full band. Percussive, two-handed tapping that turns wood and wire into a rhythmic engine. For fans of technical mastery.
Preston Reed is a seminal figure in the evolution of modern fingerstyle guitar, specifically credited with developing the percussive, two-handed 'integrated' style that influenced a generation of players like Jon Gomm and Andy McKee. Emerging from the American Primitive tradition of Leo Kottke and John Fahey, Reed's style underwent a radical transformation in the late 1980s.
He moved away from traditional fingerpicking toward a more percussive approach that utilizes the guitar body as a drum kit while simultaneously tapping melodies and basslines on the fretboard. His career spans over 15 albums, including a notable stint on MCA Records facilitated by Lyle Lovett. Reed's sound identity is defined by high-velocity rhythmic complexity, open tunings, and a jazz-influenced harmonic vocabulary inspired by Bill Evans. Critically, he is viewed as a bridge between the folk-blues revivalists of the 70s and the technical 'guitar-as-orchestra' movement of the 2000s. His move to Scotland in 2000 marked a shift toward more independent production and teaching, cementing his legacy as a technical innovator and educator.
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