PROBLEMS

PROBLEMS creates music that feels like a conversation with a very rhythmic, slightly detached computer. The sound is defined by its extreme economy: dry drum machine beats, simple synth lines, and a vocal delivery that rarely rises above a conversational monotone. It is electronic music stripped of its usual club-ready bombast, focusing instead on the hypnotic power of repetition and the charm of the mundane.

What makes this project distinctive is the marriage of high-concept minimalism with a very human, often humorous sense of absurdity. The lyrics often loop simple phrases or existential observations until they become mantras. There is a specific tension between the rigid, quantized production and the casual, almost accidental-feeling vocal takes that makes the music feel both alien and deeply relatable.

Start with the album 'Ought Not Be Overthought' to get a sense of the project's core philosophy. It serves as a perfect entry point into this world of skeletal grooves and deadpan wit, proving that you don't need a wall of sound to make a massive impact on the listener's mood.