Push Button Objects

Push Button Objects, the primary moniker of Miami-based producer Edgar Farinas, represents a pivotal moment in the evolution of 'glitch-hop' and instrumental hip-hop. Emerging in the late 1990s, Farinas became a central figure on influential labels like Schematic and Skam, bridging the gap between the burgeoning IDM scene and underground rap.

His sound identity is defined by a high-contrast mix of traditional boom-bap percussion and aggressive digital manipulation. Farinas was a contemporary of artists like Prefuse 73 and Dabrye, contributing to a movement that reimagined the sampler as a tool for avant-garde composition rather than just loop-finding. His collaborations with DJ Craze in Ko-Wreck Technique further cemented his status in the turntablism and bass music communities. Historically, PBO is significant for introducing a level of rhythmic complexity and sonic grit that challenged the conventions of hip-hop production, influencing a generation of beatmakers who sought to blend street-level energy with academic electronic experimentation. Critical consensus views his work as a high-water mark for the 'Schematic sound,' characterized by its uncompromising technicality and dark, urban atmosphere.