Razed in Black

Razed in Black is the primary creative vehicle for Romell Regulacion, a central figure in the American industrial-gothic scene of the late 1990s and early 2000s. Formed in Hawaii in 1994, the project evolved from Regulacion's synth-pop roots into a more aggressive, multi-faceted sound that bridged the gap between EBM, industrial rock, and darkwave.

Signed to Cleopatra Records, the act became a staple of the 'dark alternative' movement, frequently appearing on high-profile tribute albums and soundtracks. The project's sound identity is defined by a 'more is more' production philosophy, often incorporating heavy metal guitar riffs, hardcore techno beats, and melodic synth-pop structures. Regulacion's ability to balance screaming intensity with crooning vulnerability allowed the project to appeal to both the rivethead and goth subcultures. Historically, Razed in Black is notable for early adoption of internet-based collaboration, particularly on the 2003 album 'Damaged,' which featured guests from across the globe. The project remains a touchstone for the 'electro-industrial' era, cited for its polished yet punishing sonic profile.