Experimental · GB · Active since 1966

Richard Youngs

Fragile, shape-shifting folk that feels like a private transmission. Minimalist drones and intimate vocals for moments of deep, solitary reflection.

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Richard Youngs creates music that feels like a secret whispered in a drafty room. It is deeply personal, often recorded with a raw, unvarnished quality that makes you feel as though you are sitting inches away from his instruments. His sound is a restless hybrid of traditional folk structures and radical experimentalism, where a simple acoustic guitar melody might suddenly dissolve into a shimmering synthesizer drone or a field recording of a motorway bridge.

What truly sets Youngs apart is his fearless vulnerability and his refusal to stay in one place. One album might be a heartbreaking a cappella lament, while the next is a sprawling, multi-instrumental epic or a playful excursion into lo-fi pop. There is a spiritual, almost liturgical quality to his vocal delivery, which often leans into repetitive, hypnotic incantations that bridge the gap between ancient hymns and modern minimalism.

For those new to his massive catalog, 'Autumn Response' is a perfect entry point for his more melodic, folk-leaning side, while 'Beyond the Valley of Ultrahits' showcases his ability to subvert pop structures. It is music for the patient listener, rewarding those who find beauty in tape hiss, long silences, and the sound of a musician thinking out loud.

Richard Youngs (born 29 May 1966) is an English musician based in Glasgow since the early 1990s. His catalogue of solo and collaborative work formally begins with Advent, first issued in 1990. He plays many instruments, most commonly choosing the guitar, but he has been known to use other instruments including the shakuhachi, accordion, theremin, dulcimer, a home-made synthesizer (common on early recordings) and even a motorway bridge. He also released an album which was entirely a cappella. For many years, live performances were very occasional and almost always in Glasgow; he has stated publicly that he finds live performance "incredibly nerve-racking: stomach cramps, tension headaches...". However, in recent years, he has performed more regularly (including a tour of New Zealand in 2010 and a UK tour in support of Damon and Naomi in 2011) and many of his recent shows have been predominantly vocal - he told The Wire (issue 284) "I went to a laptop concert and decided I was going to sing".
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Our Catalog88 Albums · 2001 · 2026
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