Electronic · GB · Active since 2013

Shades

Heavy, distorted bass and intricate sound design that feels like a slow-motion collapse. Dark halftime beats for late nights in concrete spaces.

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Intro

Shades creates a sound that is both physically imposing and intellectually demanding. It is the sound of high-fidelity decay, where massive, distorted basslines are sculpted with the precision of a diamond cutter. The music moves at a deliberate, halftime pace, giving every metallic clink and granular texture room to breathe before the next wave of low-end pressure hits. It feels like navigating a sprawling, futuristic city that is slowly being reclaimed by shadows.

What truly sets them apart is the collaborative chemistry between Alix Perez and EPROM. They merge Perez's soulful, liquid sensibilities with EPROM's aggressive, modular experimentation. The result is a sonic language that avoids the cliches of dubstep or trap, opting instead for a cinematic, almost architectural approach to rhythm. It is music that prioritizes atmosphere and 'weight' over simple dancefloor utility, creating a sense of dread that is strangely beautiful.

Start with the album 'From a Distance' to hear their most cohesive vision. It showcases their ability to balance sheer sonic violence with moments of eerie, ambient stillness. It is the perfect entry point for anyone who wants to hear how far bass music can be pushed when it is treated as a form of dark, abstract art.

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Shades

Shares downtempo, trap, ambient techno (subgenres); noise textured, analog warmth, layered dense (production style)

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SHADES

Shares brooding, mysterious, intense (moods); downtempo, trap (subgenres)

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Shares noise textured, analog warmth, layered dense (production style); processed, whispered, absent (vocal style)

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Shares noise textured, analog warmth, layered dense (production style); processed, whispered, absent (vocal style)

LEViT∆TE
LEViT∆TE

Shares halftime, underwater, noise textured, dusk (signature)

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