So Hideous sounds like a full symphony orchestra being dragged through a post-hardcore storm. The music is defined by a massive, maximalist wall of sound where blast beats and distorted guitars share the same frequency space as weeping violins and triumphant brass. It is a sensory overload that feels both violent and deeply sophisticated, like a film score for a tragedy that hasn't been filmed yet.
What truly sets them apart is their refusal to treat the 'orchestral' element as a mere background pad. The strings and horns are foundational to the songwriting, often carrying the primary melody while the vocals provide a raw, visceral texture of pure anguish. It is 'throat-searing chamber music' that balances the technical precision of neoclassical composition with the unhinged emotional release of 90s screamo.
Start with 'None but a Pure Heart Can Sing' to hear their most refined blend of jazz-inflected brass and black metal intensity, or dive into 'Laurestine' for a more traditional, sweeping cinematic experience. This is music for when you need to feel everything at once, at maximum volume.
Shares neoclassical, post-metal, orchestral arrangement, choir/choral (subgenre)
Shares screamo, choral, post-metal, violin (subgenre)
Shares screamo, post-metal, thunderstorm, raw (subgenre)
Shares screamo, post-metal, thunderstorm, raw (subgenre)
Shares orchestral arrangement, choir/choral, thunderstorm, cathedral (signature)
Shares choral, orchestral arrangement, choir/choral, wall of sound (vocal style)
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