
Cold, improvised soundscapes where jazz trumpet meets industrial noise. A masterclass in tension, silence, and sudden, beautiful eruptions of sound.
Supersilent sounds like a conversation between ghosts in a decommissioned power plant. It is music that feels both ancient and futuristic, where Arve Henriksen's breathy, flute-like trumpet lines float over Helge Sten's 'audio virus' electronics and Ståle Storløkken's haunting keys. The rhythm section doesn't just keep time; it punctuates the silence with skeletal, unpredictable movements that feel like a physical presence in the room.
What makes them truly distinctive is their absolute commitment to the unknown. They never rehearse and never discuss the music before they play. This creates a high-stakes listening experience where you can hear the musicians listening to each other in real-time. The textures are often murky and submerged, but they are frequently pierced by moments of startling, crystalline beauty or abrasive, industrial noise that keeps the listener in a state of constant, focused alertness.
For those new to their vast catalog, '6' is the essential starting point. It captures the band at their most melodic and atmospheric, offering a perfect balance between their ambient tendencies and their avant-garde roots. It is the kind of record that demands a dark room and a good pair of headphones to fully appreciate the microscopic detail of their sound design.
Supersilent is a Norwegian avant-garde-improvisational music group formed at Nattjazz in Bergen in 1997. The trio Veslefrekk was asked to play with electronic musician Helge "Deathprod" Sten. The fusion of the experimental jazz group with Sten's rumbling drones and noise was so successful that they united as Supersilent. That same year, their triple debut album 1-3 was released as the first release on the record label Rune Grammofon. The band attracted attention with their aggressive combination of improvised jazz, frirock and noise blowouts. They are known for making only improvised music and for the distinctive uniformity of their album covers.
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