Tacocat
Rock · US · Active since 2008

Tacocat

Neon-bright surf-punk that pairs bubblegum hooks with sharp feminist wit. High-energy anthems for gray-sky cities and snack-aisle adventures.

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Intro

Tacocat sounds like a technicolor explosion in a Pacific Northwest basement. It is the sonic equivalent of a handful of Skittles: sugary, tart, and undeniably bright. Their music takes the skeleton of classic 1960s surf rock and dresses it in the thrifted flannels and combat boots of the Seattle punk scene. The guitars shimmer with a clean, reverb-drenched jangle, while the rhythm section provides a bouncy, driving foundation that keeps everything moving at a breakneck pace.

What truly sets them apart is their ability to weaponize humor and sarcasm. They tackle everything from the mundane frustrations of public transit to the complexities of seasonal affective disorder and feminist politics, all without losing their sense of fun. The vocal harmonies are tight and infectious, often feeling like a group of friends shouting together in a crowded car. It is music that refuses to be bogged down by the gray clouds of its origin, opting instead for a defiant, neon-lit optimism.

Start with the album NVM. It is the definitive document of their sound, featuring the period-positive surf anthem Crimson Wave and the relatable urban frustration of FU #8. It perfectly captures their transition from garage-punk scrappiness to a more refined, hook-heavy power pop sensibility that remains their signature.

Tacocat is an American punk rock band from Seattle, founded in 2007 and consisting of Emily Nokes, Bree McKenna, Lelah Maupin, and Eric Randall. They gained popularity in 2014 following the release of their second album NVM, engineered by Conrad Uno. The album received positive reviews in the music press, including from Pitchfork, AllMusic, and PopMatters, and also reached the CMJ top 10 college radio albums. Tacocat addresses feminist themes in many of their songs using humor and sarcasm. The song "Crimson Wave" is a period-positive beach anthem featuring red imagery and humorous menstruation metaphors. The music video for the song gained over 10,000 views in a single week on YouTube, and has since gotten over 415,000 views. The band also jokes about other themes such as seasonal affective disorder in Seattle on "Bridge to Hawaii" and waiting for a late bus on "FU #8."
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Our Catalog6 Albums · 2007 · 2019
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