Pop · JP · Active since 1994

すりぃ

High-velocity J-rock meets hyper-digital pop. Jittery guitar riffs and machine-gun rhythms that feel like a neon-lit panic attack in the best way possible.

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Intro

Surii creates music that feels like a caffeinated rush through a digital cityscape. It is characterized by incredibly tight, staccato instrumentation where every guitar pluck and drum hit feels surgically precise. The sound is bright, sharp, and relentlessly kinetic, often pushing the boundaries of how much information a three-minute pop song can hold without breaking. It is the sound of modern Tokyo: compressed, vibrant, and slightly overwhelming.

What truly sets Surii apart is the 'signature sound' created through the intentional reuse of specific instrument samples and rhythmic motifs. While many producers strive for constant reinvention, Surii builds a cohesive universe where every track feels like a different chapter of the same high-speed story. The influence of wowaka is evident in the frantic energy, but Surii adds a layer of sophisticated jazz-influenced harmony that gives the music a deceptive complexity beneath its catchy, frantic surface.

Newcomers should dive straight into 'Telecaster B-Boy' or 'Ego Rock'. These tracks perfectly encapsulate his ability to blend infectious, shout-along hooks with technical guitar work and a sense of rebellious, youthful anxiety. It is music for people who want their pop to have teeth and their rock to have a digital heartbeat.

Surii (すりぃ; born September 28, 1994), also known as Three, is a Japanese Vocaloid producer and singer-songwriter. He is known for his work in the Vocaloid community, with notable songs including "Telecaster B-Boy", "Ego Rock", "Junkie Night Town Orchestra", and "Lavie". He is also a member of the rock band Aooo and is a songwriter and producer for other artists, including Ado.
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Our Catalog2 Albums · 2020 · 2023
Known ForWeighted across the artist's discography. Tap a trait for examples.
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