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B Sides and C Sides
Punk · 2007

B Sides and C Sides

Rancid

A sprawling collection of gritty rarities and high-speed anthems that captures the evolution of East Bay punk from basement grit to global ska-inflected defiance.

December 11, 2007 · Pirates Press Records

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B Sides and C Sides functions as a sonic scrapbook of a band that defined the 1990s punk revival. Unlike most compilations that feel like a contractual obligation, this set reveals the sheer depth of Rancid's songwriting during their peak years. It moves seamlessly from the breakneck speed of their 2000 self-titled era to the soulful, reggae-infused experiments that didn't quite fit on Life Won't Wait. The production varies wildly, offering a fascinating look at how their sound evolved from the thin, biting distortion of their early 7-inch releases to the warm, layered textures of their later studio work.

Moments Worth Listening For
the moment in I Wanna Riot where the ska upstrokes give way to a heavy, distorted chorus that demands a singalong
Matt Freeman's lightning-fast bass solo in the middle of Ben Zanotto that feels like it might fly off the rails
the transition from the raw, lo-fi grit of the early 90s tracks into the more expansive, organ-flecked sound of the Life Won't Wait era leftovers
Reviews
AllMusic
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Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does B Sides and C Sides sound next to the rest of Rancid's catalogue?

Lo Fi+1.0σ

The production is pushed a touch harder into lo fi than this artist usually allows.

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