
A gritty, kinetic love letter to UK pirate radio. Four Tet trades his signature organic folk-tronica for dusty jungle breaks, chopped vocals, and late-night club pulses.
Pirate radio tribute
Static-charged vocal chops and splintered jungle breaks collide like a late-night pirate radio broadcast drifting through a cold car window. This music trades soft acoustic textures for the sweat of dark, crowded rooms. You are left chasing a gritty, kinetic pulse that feels both urgent and beautifully bruised.
The record vibrates with a restless energy that abandons patient, pastoral pacing in favor of urgent, twitchy garage rhythms that refuse to settle.
Critics generally welcomed the album as a charming and forward-thinking nod to classic rave aesthetics, admiring the way it weaves dancefloor-friendly beats with trippy textures. While its restless energy was widely appreciated, some reviewers found the collection to be somewhat fragmented and slight compared to the artist's more cohesive and substantial releases.
“The album is visceral and unrefined, two qualities not often associated with Hebden”Read review
“It’s still recognizably Four Tet, still a cut above most EDM. It just feels a little frustrating”Read review
“While the album does seem rather patched together with a lack of focus - it plays out like a pair of distinct EPs and a couple transitional orphans on shuffle - there’s an irrefutable charm to the restlessness.”Read review
“Mixes club-ready rhythms with touches of brain-melt psychedelia”Read review
“Regresses into an intensive study of hypnotic incantations and obtuse rhythms”Read review
“An effortless listen, but when it wanders it feels like a bauble, one from an artist from whom we are accustomed to receiving richer gifts”Read review
“Harks back to early-90s rave culture, but without forfeiting his up-to-date sensibilities or typically broad range of references”Read review
“A standout in both the Four Tet oeuvre and a growing collection of dance albums that pay homage to the past”Read review
“Strikes a refreshingly non-nostalgic note, due largely to his treatment of his source material”Read review
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