
While the original Being No One, Going Nowhere was a masterclass in pairing existential dread with glittering indie-pop, this remix collection strips away the guitar-driven warmth in favor of a cold, neon-lit electronic pulse.
It sounds like the 'night version' of the record, where the philosophical meditations on mortality are no longer for bedroom contemplation but for the kinetic release of the dance floor. The production is sharp and synthetic, replacing organic drums with driving house beats and intricate glitch textures.
How does Being No One, Going Nowhere (REMIXES) sound next to the rest of STRFKR's catalogue?
The production is built around digital clarity than this artist usually allows.
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