
Six tracks of damp, wood-smoke folk recorded in a London studio with a borrowed guitar. Sparse, hypnotic, and deeply rooted in Pacific Northwest isolation.
It sounds like Phil Elverum recorded a bunch of quiet, spooky campfire songs in a cold room with a borrowed guitar.
A quiet, moss-covered isolation that feels both comforting and slightly eerie.
Brooding saturates this record notably more than the artist's norm.
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