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California Nights
Rock · 2015

California Nights

A lush, nocturnal pivot into shoegaze-tinted psychedelia. Reverb-drenched guitars and hazy vocals capture the heavy, anxious beauty of a California midnight.

February 24, 2015 · Harvest

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California Nights sounds like the moment the sun goes down and the dry heat of the day turns into a heavy, electric stillness. While previous Best Coast records were defined by a lo-fi, sun-bleached simplicity, this album is a dense, multi-layered exploration of the state's darker corners. It is an album that feels like it was recorded under the influence of both the 1960s girl-group pop they love and the 1990s shoegaze they grew into. You should own this because it is the definitive night drive record for people who find comfort in a bit of fuzz and melancholy. It is less about the beach and more about the canyons, the smog, and the sprawling city lights. Bethany Cosentino’s voice is clearer and more confident than ever, floating above a sea of distorted guitars that feel both massive and intimate. The production is saturated and rich, giving the songs a weight that their earlier work intentionally avoided. It is a record for the insomniacs and the dreamers who prefer the moon to the sun. The songs capture a specific kind of West Coast anxiety, where the beauty of the landscape is inseparable from a sense of isolation. It is a lush, immersive experience that rewards repeated listens, revealing new layers of guitar texture and vocal harmony each time.

Moments Worth Listening For
the title track's slow-burn build-up where the guitars transition from a clean chime to a massive distorted wall of sound
the bridge of Feeling OK where the upbeat tempo momentarily dissolves into a hazy psychedelic swirl of vocal layers
the heavy almost grunge-like bassline that opens Heaven Sent grounding the soaring reverb-heavy chorus

How does California Nights sound next to the rest of Best Coast's catalogue?

Urban Night+2.4σ

Urban Night saturates this record far more than the artist's norm.

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