Catch Bull at Four

Released in 1972, Catch Bull at Four represents the commercial peak of Cat Stevens' career in the United States, spending three weeks at number one. Sonically, it is a departure from the stripped-back intimacy of Tea for the Tillerman, introducing a more 'produced' and occasionally aggressive sound. The title is a direct reference to the Ten Bulls of Zen, specifically the fourth stage: Catching the Bull, which symbolizes the struggle to discipline the mind. This spiritual weight permeates the record, from the existential questioning of 'Sitting' to the Greek-influenced 'O’Caritas.' The album features a wider instrumental palette, including the ARP 2500 synthesizer and more prominent piano work from Stevens himself. Critics at the time noted its lack of an obvious radio hit compared to his previous outings, yet praised its cohesive, darker atmosphere. It stands as the bridge between his folk-pop stardom and his later, more overtly religious explorations.