HomeFontaines D.C.Dogrel
Dogrel
Rock · 2019 · 11 tracks · 39m

Dogrel

A snarling, poetic love letter to Dublin. Gritty post-punk guitars clash with deadpan spoken-word delivery, capturing youthful disillusionment and working-class pride.

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Debut

Spit flies from a sneering mouth over the clatter of a cheap snare drum, pinning the damp, grey energy of Dublin’s rainy alleyways directly to tape. This debut captured a band nailing their signature friction on the very first try, fusing jagged garage-rock chords with a relentless, spoken-word cadence. You can feel the cold sweat of crowded pubs and the grit of wet cobblestones in every urgent, unpolished track. It is the sound of five young men refusing to polish their rough edges, turning local disillusionment into a roaring, poetic engine that instantly redefined modern post-punk.

Dogrel · vs · Fontaines D.C.
Deadpan+1.2σ

The band's signature street-corner philosophy is delivered with a uniquely deadpan sneer, channeling working-class frustration through a dry, confrontational spoken-word cadence that refuses to embellish the grit.

Tracklist · 11 Tracks · 39m
01
Big
1:46
02
Sha Sha Sha
2:31
03
Too Real
4:08
04
Television Screens
3:59
05
Hurricane Laughter
4:50
06
Roy’s Tune
3:00
07
The Lotts
4:57
08
Chequeless Reckless
2:15
09
Liberty Belle
2:31
10
Boys in the Better Land
5:00
11
Dublin City Sky
4:52
Moments Worth Waiting For
01BigThe opening track bursts forward with a driving, repetitive rhythm section that clocks in at under two minutes.
03Too RealA sudden, abrasive guitar screech disrupts the steady groove of the track, amplifying the song's tense, claustrophobic atmosphere.
06Roy’s TuneThe album shifts from its aggressive post-punk drive to a wistful, cinematic melancholy led by a gentler melodic guitar line.
Sits BesideSee all
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2012

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2007

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Art Brut vs. Satan
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2009

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Beneath the Boardwalk
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2004

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Razorlight!
Razorlight!
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2003

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The Black EP
The Black EP
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2003

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LCD Soundsystem
LCD Soundsystem
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2005

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In the Court of the Wrestling Let's
In the Court of the Wrestling Let's
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2009

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EKKSTACY
EKKSTACY
EKKSTACY
2024

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Give a Glimpse of What Yer Not
Give a Glimpse of What Yer Not
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2016

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Reviews
Critic Consensus

Critics warmly embraced the debut, praising its raw, narrative-driven songwriting that balances youthful disillusionment with a romantic devotion to the character of Dublin. While some noted the band's prominent post-punk and indie influences, reviewers broadly agreed that these reference points are seamlessly absorbed into a compelling and highly authentic identity.

NME5/ 5 stars
“The Irish troubadours come good on a debut album that offers both a storyteller’s narrative voice and a snarling new vision of youthful disillusionment”
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PopMatters
“Post-punk has new blood coursing through its veins, transcendently authentic, and boisterously good. You’ll want to give Dogrel a listen”
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Pitchfork8.0/ 10
“The steely Dublin post-punk band infuse the bitterness and rage of the Fall with punch-drunk romanticism”
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Paste
“Dogrel is an album of tremendous ardor and vivid landscapes, and interspersed with an Irish underdog spirit, Fontaines D.C. are nearly untouchable”
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The Guardian5/ 5 stars
“This is the kind of songwriting quality that bands can take years to reach, or never reach at all: brilliant, top to bottom”
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Clash9/ 10
“Authentic, raw and honest, it is eclectic, original and a work of multifaceted expression”
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Under the Radar
“This is the sound of vitality; of authenticity and ambition; of style, substance, and swagger all packed in to 35 minutes of vulnerable, honest pop music that is weighted with melancholy, yet buoyed by youthful vigor and touched, perhaps, by genius”
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The Irish Times4/ 5 stars
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The Line of Best Fit
“Dogrel is evocative, meticulous and rich in a love for the character of Dublin, and all the little things that, past and present, contribute to that”
DIY4.5/ 5 stars
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musicOMH
“Fontaines DC wear their influences close to their sleeve, with nods to The Pogues, The Strokes and Joy Division, but these influences are absorbed into their identity, to create something that instantly familiar and accessible, but also thrillingly compelling”
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AnyDecentMusic8.5/ 10
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