
A towering wall of blue-grey oceanic fog. Phil Elvrum trades quiet folk for massive, blackened shoegaze guitars and tape-saturated coastal static.
August 29, 2012 · P.W. Elverum & Sun, Ltd.
Cold, salt-crusted static floods the speakers, burying the quiet acoustic guitar beneath a towering wall of grey noise. Listening feels like standing on a wet cliffside at midnight, where black metal distortion and tape hiss mimic the roar of a freezing winter tide. It is a heavy, blurred dream of the Pacific.
“It is a profound statement of an artist trying to find a sense of belonging, and it is rather sublime to wander along with this album’s creator and get a sense of one’s own mortality”Read review
“These songs, particularly those on Clear Moon, are the most transparent and melodically dynamic that Elverum has penned since The Glow pt. 2”Read review
“Elverum takes the space of Ocean Roar‘s 40 minutes to perfectly capture how it feels to be Phil Elverum, to live inside his head, as it looks out into the ocean’s horizon”Read review
“Full of the kind of observations you find time to make only when you haven’t talked to anyone for a few weeks”Read review
“Mount Eerie’s latest endeavor is yet another adventurous bout into experimentation that displays why Phil Elverum is one of music’s most astonishingly brilliant minds”Read review
“From unforgiving seas to rain-drenched walks through the evergreens, he ropes you right into a very particular, personal experience”Read review
How does Ocean Roar sound next to the rest of Mount Eerie's catalogue?
Crushing walls of electric guitar dominate the landscape, submerging the usual acoustic stillness beneath a sea of distorted, wave-like drone.
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