HomeMiles DavisOn the Corner
On the Corner
Jazz · 1972 · 4 tracks · 54m

On the Corner

A dense, claustrophobic collision of street funk and avant-garde tape editing. Polyrhythmic, abrasive, and decades ahead of its time.

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Radical street fusion

A thick, humid haze of street-corner funk collides with the cold precision of tape splices, trapping you in a crowded, relentless groove. This is not the spacious jazz of the past, but a dense grid of polyrhythms and scratching wah-wah guitars that refuses to let you breathe. By tuning into the frequencies of the youth culture around him, he captured the chaotic, electric friction of a city block at dusk, trading elegance for pure, hypnotic heat.

Tracklist · 4 Tracks · 54m
01
On the Corner / New York Girl / Thinkin’ of One Thing and Doin’ Another / Vote for Miles
19:59
02
Black Satin
5:20
03
One and One
6:09
04
Helen Butte / Mr. Freedom X
23:18
Moments Worth Waiting For
02Black SatinThe radical tape-splicing on 'Black Satin' creates a repetitive, proto-sampling groove layered with persistent, whistling street sirens.
01On the Corner / New York Girl / Thinkin’ of One Thing and Doin’ Another / Vote for MilesThe massive, side-long suite 'On the Corner / New York Girl / Thinkin’ of One Thing and Doin’ Another / Vote for Miles' abruptly cuts between distinct studio jams using sharp, sudden tape edits.
Collaborator Paul Buckmaster introduced experimental, futuristic ideas to the sessions, helping blend street rhythms with avant-garde classical concepts.
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Reviews
Critic Consensus

Upon its release, the album was widely dismissed by critics who found its dense, repetitive rhythms and chaotic electronic production difficult to embrace. Over time, however, some reviewers have warmly re-evaluated the music, appreciating its challenging, groove-heavy fusion of funk and tape-editing techniques.

AllMusic
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