Push

Released in 1994, 'Push' represents a pivotal moment in saxophonist Bill Evans' solo career, moving away from the more traditional fusion structures of his earlier work toward a sound heavily influenced by the burgeoning acid jazz and urban funk scenes. Recorded during a period of high digital fidelity, the album features a 'who's who' of session talent, resulting in a record that is both technically demanding and commercially accessible. Unlike the legendary pianist of the same name, this Bill Evans (formerly of Miles Davis' band) utilizes a high-octane approach that emphasizes rhythmic 'push' - hence the title. The album was well-received by contemporary jazz audiences for its ability to bridge the gap between smooth jazz accessibility and fusion complexity. It stands as a definitive document of the 90s fusion sound, characterized by its use of synthesizers, tight drum programming, and Evans' signature piercing soprano and tenor saxophone tones.