This Is a Fix

Released in 2008, 'This Is a Fix' represents a pivotal and somewhat controversial chapter for The Automatic. Following the departure of primary keyboardist and backing vocalist Alex Pennie, the band recruited Paul Mullen (formerly of YOURCODENAMEIS:MILO) and shifted toward a more guitar-centric, 'Americanized' alternative rock sound. This transition was solidified by the involvement of heavyweight producers like Butch Walker and Don Gilmore, who brought a level of sonic density and radio-ready compression that contrasted sharply with the more skeletal, dance-punk feel of their debut, 'Not Accepted Anywhere'. The album was recorded across multiple locations, including Los Angeles and Cardiff, resulting in a hybrid sound that attempted to bridge the gap between UK indie sensibilities and US stadium rock. While it received a polarized reception from critics, with some lamenting the loss of the band's earlier quirkiness, it was praised by rock-centric publications like Kerrang and Rock Sound for its unwavering energy and improved musicianship. It remains a fascinating example of a band attempting to mature their sound while maintaining the high-voltage urgency that defined their initial rise.