Twice the Love

Twice the Love represents a significant stylistic marker in George Benson's late-80s discography, moving further away from his jazz roots into the realm of high-production R&B and AOR. Recorded with six different production teams, the album lacks a singular sonic architect, resulting in a varied but consistently polished urban pop sound. The project was notably criticized by jazz purists for its 'chart-chasing' nature and the relative absence of Benson's signature Ibanez guitar work. However, it found success on R&B charts, particularly with the title track and a faithful cover of Curtis Mayfield's 'Let's Do It Again'. The album is characterized by its heavy reliance on 1980s digital synthesis and drum machines, placing it firmly within the aesthetic of the era's 'Quiet Storm' movement. While it may not satisfy those seeking the instrumental virtuosity of Breezin', it stands as a testament to Benson's versatility as a premier soul stylist and his ability to adapt to the rapidly changing technological landscape of the music industry at the end of the decade.