Psychedelic black metal meets Victorian theatricality. Dense, unhinged, and lushly orchestrated music for the sophisticated occultist.
A Forest of Stars sounds like a fever dream occurring in a 19th-century opium den. It is a dense, swirling vortex where the aggressive, icy blasts of black metal collide with the elegant, mournful textures of chamber music. You will hear soaring violins and delicate flute passages suddenly overtaken by frantic guitar work and some of the most genuinely unhinged vocal performances in the genre. It feels like a grand, tragic play being performed in a collapsing theater.
What sets them apart is their commitment to a specific 'Victorian' psychedelic aesthetic. Rather than typical forest-dwelling metal tropes, they lean into a steampunk-adjacent occultism. The production is maximalist, layering synths and acoustic instruments over a foundation of extreme metal, creating a sound that is both claustrophobic and expansive. The vocals of Mister Curse are particularly distinctive, oscillating between desperate, high-pitched shrieks and a sort of possessed, theatrical narration.
Start with 'Beware the Sword You Cannot See.' It represents the pinnacle of their songwriting, balancing their progressive tendencies with sheer melodic power. The multi-part epic 'The Pawn on the Chessboard' serves as a perfect introduction to their ability to weave complex, long-form narratives that never lose their emotional or sonic intensity.
Shares theatrical, black metal, progressive metal, haunting (signature)
Shares black metal, progressive metal, haunting, midnight (subgenre)
Shares black metal, progressive metal, cathedral, haunting (subgenre)
Shares theatrical, black metal, cathedral, haunting (signature)
Shares theatrical, black metal, violin, cathedral (signature)
Shares black metal, progressive metal, psychedelic rock, haunting (subgenre)
Shares black metal, progressive metal, cathedral, haunting (subgenre)
Shares black metal, progressive metal, cathedral, psychedelic rock (subgenre)
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