Hip-Hop · US · Active since 1994

Artifacts

Gritty, graffiti-soaked boom bap from the heart of Jersey. Dusty jazz samples and sharp lyrical interplay for those who live for the four elements of hip-hop.

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Intro

Artifacts embody the raw, unpolished soul of mid-90s underground hip-hop. Their sound is built on a foundation of crackling vinyl samples, heavy-hitting snares, and a deep reverence for the culture of graffiti. It feels like a late-night mission in a train yard, where the air is thick with the smell of aerosol and the rhythm of the city. Tame One and El Da Sensei trade verses with a seamless chemistry that reflects years of shared history in the Newark scene.

What sets them apart is their 'graff-rap' identity. While their contemporaries were leaning into gangster tropes or afrocentric philosophy, Artifacts stayed true to the 'bomber' lifestyle. Their lyrics are peppered with technical graffiti terminology and a blue-collar work ethic that makes their music feel grounded and authentic. The production, handled by icons like Buckwild and T-Ray, provides a warm, analog backdrop that captures the 'Golden Era' aesthetic perfectly.

Start with their debut, 'Between a Rock and a Hard Place.' The lead single 'Wrong Side of Da Tracks' is the definitive entry point, serving as both a cultural manifesto and a masterclass in boom bap flow. It is the perfect soundtrack for anyone who values technical skill and street-level storytelling over mainstream polish.

The Artifacts was an underground hip-hop group consisting of El Da Sensei, Tame One and later, DJ Kaos. They hail from Newark, New Jersey. The Artifacts' most popular song is the single "Wrong Side of Da Tracks" Other Artifacts' songs include "Easter", "C'Mon wit da Git Down" and "The Ultimate (You Know The Time)".
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Our Catalog5 Albums · 1994 · 2022
Known ForWeighted across the artist's discography. Tap a trait for examples.
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