Depswa

Depswa occupies a unique pocket of the early 2000s heavy music scene, trading the typical aggression of nu-metal for a lush, melodic sensibility. Their sound is defined by Jeremy Penick’s distinctive vocals, which often start as a breathy whisper before exploding into soaring, multi-tracked harmonies. It is music that feels heavy in its bones but remains accessible through its focus on atmosphere and songcraft.

What sets them apart is the 'Howard Benson sheen' applied to a more introspective, almost progressive songwriting style. While their peers were often focused on rhythmic dissonance, Depswa leaned into rich guitar textures and minor-key beauty. The interplay between the thick, distorted riffs and the ethereal vocal delivery creates a sense of tension that feels more like a cinematic internal monologue than a mosh pit anthem.

Start with 'Two Angels and a Dream' to hear the peak of their major-label era. It captures that specific moment in time when alternative metal was becoming more sophisticated, blending the power of the riff with the vulnerability of the singer-songwriter.