Disfiguring the Goddess

Disfiguring the Goddess is the solo project of Cameron Argon, better known in the electronic world as Big Chocolate. Since its inception in 2006, the project has served as a primary bridge between the 'slam' subgenre of brutal death metal and modern electronic production techniques.

Argon's background as a DJ and producer is evident in the project's reliance on programmed drums that emphasize sub-bass and crisp, digital transients over traditional acoustic kits. This 'one-man band' approach allowed for a level of experimentation with pitch-shifting and glitching that was rare in the death metal scene of the late 2000s. Culturally, DTG occupies a unique space, beloved by both the 'bree-bree' deathcore crowd and more traditional brutal death metal fans who appreciate the technicality and sheer sonic weight. Despite long hiatuses, the project remains a benchmark for how electronic elements can enhance rather than dilute the extremity of metal.